DoDECA CON 3. Was it MISSOURI Or Joy?:)

I got a call from Eric Moran… Also known as The Smoke from his wrestling days…

COSPLAYER SUPREME.  So SUPREME, it seems he got Dan DiDio, executive Editor of DC Comics to make an actual character of him named Freighttrain.   This real life superhero does cosplay for the people of DoDECA Con every year since they’ve started.  But couldn’t do it this year because he was overbooked with his engagements,  and asked Myself, Joseph Illidge ( writer and editor of many DC comics books like The Batman and long time bestie) and Larry Stroman, who helped to create a comic called Tribe in the ’90’s and also worked on a slew of X-books for Marvel including Alien Legion….

…To step into his shoes at this bazaar, help some people get set on the right track by showing them all the ropes of breaking in into the comics biz.

And it was a touch odd at first after we got there.  Less on the comic front more on the COSPLAYER Circuit. But some great things came out of it,….. Joe, Larry and I got to know the people of the area.  And they were eager to meet us and eager to learn about the process of not just comics, but of finding out their own futures.

One of them being a really cute fifteen year old young woman who just may be taking her sophmore classes from her high school at M.I.T.   That young woman impressed me the most.  And blame me for going all “DADDY” on her and arming her with some knowledge on not being pressured by young men in a way that would make her lose her forward steam.

The treatment we got from there was awesome. And there’s media coverage with an article written about the occasion by a columnist named ALICIA STICE.

CONGRATS to TONI WESTBROOKS-TAYLOR and Husband for a successful launch.  They raised over 1100.00 to feed hungry families.  It still needs tweaking, but if they did a bit more and it’s cohesive too,  they’ll have a comparable con that could take on everyone.

Check out the article!  And then some of the pics of me, Joe, Larry, and CosPlayers Dave Turner, husband to the Amazing Ivy Doomkitty and the beautiful Samantha Wolfe below!



DREAMWEAVER 3 (or What time is it, Ben?)

So…. One of my business partners wants to do something nice for a friend. 


And she has a request that I turn him into a superhero.  Or a Supervillain!  They have powers too…!

The weird request comes next when she says her homeboy wants time powers. 


How the HAYUHLL do you draw “TIME POWERS?”

Do YOU know what they look like?  Maybe glowing hands?  Lit up eyes? Twinkly spirit fingers?

Incandescent light spewing from his mouth?


Thank God for computers. 

I did a little mix media with some elbow grease and BAYUHM!!!

Ben now has powers. 




the DoubleSplash 1

The DoubleSplash was the rage of the 80’s and 90’s. Everyone “art-ing” in major comics wanted to have at least one book where they could drive their fingers into nubs drawing mega-images of the character they loved to draw. Some would have whole books with nothing but splash, DoubleSplash or even a triple gatefold.
I was one of those guys where DoubleSplash would be as far as I can go. Because I knew ME. LORD KNOWS that I would try to fill as much of those pages as possible and although you can LOVE to draw, there’s a sense of anxiety in accomplishing it.

Sometimes, unless you really have something to prove, you just want it to be over.

But the art of the doublesplash is purely to create a mimicked experience of a broader wide-angle shot of cinematic proportions. And I’m a storytelling kind of guy. It’s a great tool. Which means whatever it takes to tell the story, i’ll accomplish it. I stopped doing pinup style splash/DoubleSplash a long time ago. And because of that, I have to think more. And draw more.

This particular DoubleSplash came from the second installment of my 2 issue run on DC Convergence: JLA Detroit. This opportunity to finally get to draw these characters fulfilled a notch on the wish list for me. And that was a “What If?” What if I drew in the ’80’s with what I knew now? And these two books were an answer to all that.

This here is the snapshot of a scene about to explode. Where I come from, they call it “things about to break off in here”. And it’s a classic tension in comics and animation/cinema. So many things can go wrong opening it up to this scale, and if you’re a person who loves a challenge, you salivate.

The Justice League of Detroit vs. The Heroes of the Tangent Universe.

This took awhile, but I dug my teeth into it. Believe it or not, composition is the thing that took the longest on this piece. I needed this to be as close to my mind’s eye as possible. And you have to know how hard that is. It’s the bane of an artist’s existence. I must have redone the concept of the page(s) 5 times before jumping in on it. It was taking FOREVER. THE PROCESS can be unforgiving.

And then again….

So are deadlines. :).

This is pages 2 and 3 without the color of the amazing SNAKEBITE.

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The Valiant connection

    it seems that another collected graphic novel from Valiant Entertainment is out now that has the collected works of many great artists that’s helped those comics become GREAT.  

You may not be able to tell with the Byline, but the Bloodshot Zero I did some time ago… My name isn’t in the credits but I figure I can add that correction here. πŸ™‚

So as I had mega fun with that book, you should order that book and have a ton of enjoyment with those stories.  

ChrisCross is indeed in this graphic novel!



In honor of King Kirby, I’m posting two of his coolest monsters I did in Superman and Batman 84 before the line of books were cancelled. It’s amazing the power that still comes from his images even if you’re drawing it in your style.
 Happy Post-Birthday, Jack!
 And thanks for the billions of oodles of inspiration. πŸ™‚

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The SMALLVILLE warm-up

When I got the call to work on SMALLVILLE season 11 in comic form a couple of years ago,  I got excited because I thought it would be great to finally test my drawing skill in drawing likenesses in a superhero format based on what was seeded by television and established for ten years.  Mind you, A great feat by any standard.  People don’t expect a series of any sort to make it five years, which pretty much guarantees syndication, and guaranteed back money for all involved in that show, but you go ten years, we’re talking something special.  

    It’s why I wanted to push that envelope and prove I could do such great feats myself.  So I started to prep.  I went for direct likeness by collecting a half a gig in photos on my computers “SMALLVILLE file folder ” and studied the hell out of everyone to make sure I could draw them effortlessly.  I felt I accomplished the drive-by.

But I would later find out that my efforts would be in vain because the actors couldn’t have direct likenesses drawn and published.  I think it’s some weird contract thing.  I feel people should see the sketches of the actors in SMALLVILLE through my eyes. And what could have been.  



   I throw some BIG ups towards  facebooker and client Bill Lait for his patience and his understanding in the length of time it took me to finally get his commission done. 

There were a ton of obstacles…. Personal family things and deadlines …. That halted the process of this being done and he was chill through the whole period.  So when he asked me to do his Space Ghost vs Thanos Illo…. I was definitely going to add some features I normally charge for, but I figure he deserves some extra love.  Big deadlines that strangle an artist to very strict living styles is the bane of every freelancer, and THE Bill Lait took it in stride.  No worries, no fear.  

I added Blip, the squeaky monkey and unfortunately, the composition kept me from adding Jase and Jan, so I added marker tones.   

So three cheers to Bill Lait!
(Click to expand)


DREAMWEAVER 2: Lonnie Lowe’s E. P. I. C.

Welcome to the second installment of many DREAMWEAVER columns to come. This posting is a bit of a twist. As I’ve been taking on commissions, some have been about fulfilling a dream of drawing another artist’s character(s) as if it were being prepared to be drawn in a comic. Something like having a pro draw your stuff says many things, but for the most part, it inspired me so much , I’d go home and go create more in the hopes of actually working with these professionals on that level.
Trust me, the day you hear Walt Simonson call you “son!”, you know you’ve made it!

In any case, this is a commission that wound up turning into a cover. Lonnie Lowe Jr. is an aspiring entrepreneur who decided he wasn’t going to wait for the Big Two to snag him. He wanted to take life by the horns and create his own I. P.
He’s already ahead of the curve. A lot of people argue about not getting the dream, Lonnie is one of those that went to go make his dream happen. I can definitely help out a brother trying to do THAT regardless of anything standing in his way.

Lonnie has a concept called E. P. I. C. (Earth’s Protector in Crisis), a brand new comic series from his Indy comic book company Dark City Comics. The story centers around college sophomore Christopher “Chris”Tayborne, a young and talented archeology major, that through a series of sudden twists and turns lands his hands on one of the most powerful weapons in the known Galaxy The Alpha Bands. In the same breath he also unleashes a power back into the world that it hasn’t seen for thousands of years and has long since forgotten. Once these powers are release the planet goes from ordinary to extraordinary in a matter of minutes changing the scope of the entire globe and almost immediately creating our Alpha human population thus setting the events into place that give life to the Dark City comics Universe.

It sounds like a great action filled book ready to burn rubber.

This is his reference for me filled with other covers done and sketched costumes of the character.

See, told you! Looks like this has great potential!

So here’s the buildup of my version of his cover starting with open pencils, then inks. He has someone who colored the piece…..

All in all the cover for his concept E. P. I. C. Came out pretty well, and once again a dream fulfilled to have a seasoned pro draw his character.

If you’d like a commission, you can hit me up in the messenger area at or email me at, and let me weave a dream for you!

If you’d like to know more about E. P. I. C. , you can go to

As artists and writers, let’s help each other sell each other’s dreams to those who need them. πŸ™‚

(And click the images to expand )

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This is going to be a running column on my blog where I do art commissions that inspire. This particular blog column will be focused on those who ask me to draw their own made up character to fulfill a dream where they get to see a professional comic artist realize their characters. I’ve done a couple so far and the first I’ll post is one from a cool guy named Scott Blake on Facebook.
  He created and copyrighted a character that he called Titan Black. A cyborg hybrid he has been creating and recreating over the years.
  I remember how good it felt and the inspiration born in me when I went to a small con in NY with my homeboys Joe Illidge, Buzz, And Ceasar way back in the days and I brought some art to get a crit from whoever was there. Kyle Baker was there at a table, super young and artistic looking, and really friendly. I showed him a small Superman sketch I modeled after THE Neal Adams and he was so impressed he started inking it right there. Back then, Kyle was just starting out as an inker and he was amazing. Still is. But he did it so quickly and did it so well that I must have been flying in my mind for days.
  It was that “I just drew Superman for DC and inks were by Kyle Baker” fantasy that kept me so juiced that all I did was draw after that.
  So I want to pass along that premise. As part of my commissioning, I also take amateur drawing of artist’s attempt at drawing their own heroes or villains and draw them with my take on them. For the normal rates I charge in commissions, of course.
  This one was drawn by an aspiring artist named Scott Blake.

He wanted my take on the character, I’m sure one of many….
 … With the assurance that I’m not remaking that drawing, just using my technique and ability to replicate it.
 I think it’s a great vehicle to keep people drawing and creating. If they see someone who made it using their skills to give their own imagination credence.
 This was my take and he really enjoyed it. If you’re interested in having me do commissions for you, you can always hit me up on Facebook in the messenger section ( or my email at
 We can discuss rates and protocols and you’ll always get my best effort.

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So…. Coming back to The Future–ians….

Sometime ago I learned that Dave Cockrum’s The Futurians were coming back to life through the hands of one Clifford Meth. The Futurians always puzzled me as a book, but I always enjoyed it. So Clifford, in an effort to bring back some of Cockrum’s legacies downright, created a Kickstarter fund for the project.
  Now, you have to understand I have a bucket list of projects I’ve wanted to work on. SHAZAM! Is one of them. The Futurians are in the high twenties. (Yes… They are numbered in order in my mind. ) and since I’m figuring that they’ve already got someone for the title, I figured I’d donate some art to the cause. I’m usually so busy that I don’t have time to do something like that,so you have to also understand what MOTIVATION means in my visual dictionary. I thought also that I could get Bob Wiacek, a legendary inker in the industry who was/is working on the project, to ink this piece I’m about to repost. Once I finished the art, and sent it to Bob, I couldn’t wait to see his lines on my work. I mean, dude….
 …… It was going to be for free in one aspect… Because he’s inking the book… And in another aspect, this man has inked Paul Smith, John Romita Jr. And John Byrne.
 I simply had to know what his talent jamming with mine would look like.
 But after a week and a half, going on two, I suddenly realized that Bob was getting swamped under the weight of his own work concerning The Futurians, and that his working on my piece was going to be a fast and furious pipe dream. And I needed to see it done, so I wound up inking it myself.
  I guess we can’t get what we want all the time. But I understand the situation. Trust me. BELIEVE me, paying work before pleasure work.
 So here it is, my inks on an INSPIRED piece of art for a book that I hope will create great steam in the industry in the near….. Well… The FUTURE!
 Hope yuh likes. πŸ™‚

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