EXES AND OHHZZZ

I’ve been waiting to post this for awhile. And also I’ve been eager to see what my version of X-O Man-O-War would ever look like. I wanted to have fun with it and I wanted to set a tone.

explosions.
EXPLOSIONS!

Yes!

I can be your Michael Bay! One can never have to any bursts of light or smoke….. BIG SMOKE… In a comic cover. And if someone complains..

TOO BAD….!

…it won’t be the last of it!

Avoid those beams everywhere around you, X-O!
They’re just JEALOUS!

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Lost Tribe on small Island in the Indian Ocean remain virtually untouched by modern civilization.

I’m always looking for new material and untouched history as great “canon” fodder for conceptual design for characters and stories. Ive been looking for a culture that would fit in step with one of my characters i’ve been developing ….

One I can use history/culturally/technologywise and just run with it.

I think ive found it.

The Sentinelise and the Andamanese.

Lots to dream over. And lots to make sense of. When i started working with Milestone Media in 1993, fresh from SVA, i was opened to a world where any culture was ready for an imaginative fingerprint…. Something to be read, absorbed and reimagined for the interest of the world to partake.

The term “negrito” meaning “little black” literally was a moniker coined for denizens leaving Africa to forge another way of life in other shores. They stepped out of their comfort zone from one continent to see what was to be explored in the rest of the world. Which is why i laughed my head off when i realized we as students were being duped in high school when we were told of the voyages of Amerigo Vespucci and Christopher Columbus and their “discoveries”.

Can’t discover something that always knew it was there.

I thought i would post this so anyone who wants to have a key into my head would get an idea of the seeds of my imagining process.

So, if youre perusing my blog, stop here and check out an indegenious people unfettered and untouched by the weirdness of our societies.

Lost Tribe on small Island in the Indian Ocean remain virtually untouched by modern civilization..

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BLOODSHOT AND THE H.A.R.D.CORPS 16 cover

Lately, I haven’t gotten cover assignments often.

Don’t think i understand that yet, but its not a big deal.

But when i do get a chance to do one, i like to rock the ‘ose.

I’ve always been intrigued with Bloodshot from way back in the days when Valiant started just as i was moving in full sway with Milestone. When i got the chance to work with Warren Simons (editor in chief at Valiant) , we had been talking about doing some really great work concerning the new direction of the Valiant staple of characters. When he said he wanted me to come up with a great cover for Bloodshot…. I chomped at the bit happily.

Now understand, the cover art on this book is primo and with the likes of super detailed and hyper realistic techniques of Mico Suayan and Grandpa!, i needed to make sure i left my imprint.

Create some WOW factor.

I think i did it. And i had fun with it. πŸ™‚

Don’t push me out to pasteur YET.

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Nine Slices of KATANA

It was a bit arduous, but even when i was all over the place professionally, i still
found time to pencil and ink most of KATANA issue #9. The sole reason for taking the gig was Annie Nocenti. I’ve been in love with that woman’s talent since she started actively writing Daredevil back in the 90’s.
She put Daredevil and many other mainstream characters through their mental paces …. There was always some Hitcock-ian twist. Some crazy character. Some crazy storyline. And deep mentally penetrating dialog complete with its own event horizon.
I got to work with another childhood fantasy and it felt great.

By the way, her eyes are kinda wild, too. So guess i should be careful what i say or she’ll do to me what she did to her luau’d pig. πŸ™‚

I plan on pitching her some stuff soon, but i really want to work with her again on … Well…ANYTHING!

In the meantime, the Katana deadline was hellish, and a bit stressful at times. This one wasn’t easy.

But i did it for Annie’s Katana. As i said…. The time only allotted enough time for me to pencil and ink a certain amount of pages. And i wish i had it like Jack kirby…. You know…

…8 pages a day…

But i recognize my limitations.

The preview showed up on ComicBook Resources. But instead of taking you there…
I’ll keep you here by posting the preview HERE!

Enjoy!
And pick up the book this week!

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The NYCC walkthrough

I had to take a couple of runs through the famed Jacob Javitz Center in Manhattan and I was kind of miffed because some family members who wanted to be there couldn’t for various and UNDERSTANDABLE reasons.
 
 So I used the power of the iPhone 5 to record the entrez-vous process getting into the con… Which according to Alan Harper on Two and a half Men means “enter you.”
 
 Yeah. He’s a dope.
 
 So I recorded Thursday and Saturday of the Con to show the difference in the limits of mass capacity in fire codes.
 
 And the occasional celebs and unintentional butt shots.
 
 I tell you this, girl dressing up in cosplay are a world different than they were in the nineties.
 
 And thank God for THAT. πŸ™‚
 

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Location:Manhattan

VALIANT NEWS: A time for ETERNAL KICKING

I’ve been kind of bouncing around for awhile. Doing some great projects here and there and I don’t really see that stopping soon. Many people have asked me about my cosmic meanderings from working on Green Lantern Corps to Smallville (where I got to set the designs for the Smallville Batman and NightWing …. And boy did fanboys become annoying about the NightWing thing…lol) to Valiant’s BLOODSHOT#0 to drawing Katana for DC’s Villain month as well as pencilling and inking most of Katana issue 9.
During that time,I had been pretty split in my focus because the main thing was accomplishing my dream of finally not just owing my own transmedia company, but finally getting it it’s own website…a place to finally have a home for housing some IP’s I’ve been putting together since I was 17.
And now that is finally accomplished. More on that on my next blog.
I have been in talks with Valiant and I’m looking to settle in a bit. As long as Valiant will throw work at me, I’ll keep slinging the art. They have a great scheduling system, and great characters…. ingredients to make a great cake, let me tell you. I will finally get time to do the work I’ve wanted to do, and not the type of work where I have to rush and hurt my work (and potentially myself) to make crazy deadlines. I think I’ve come to the point where although I can’t say it won’t happen again, I’m getting too old to be doing these all-nighters and working all day, everyday, and weekends.

I have to be smarter nowadays.

I need to love myself more.

There’s great things that are in the works that will be primed to explode if I plan everything right and I really take care of myself.

So these will be the next following years of ME.

I’ve been back logged a bit so I have a ton to blog about. So I hope you’ll stick around while I plot to make some history. πŸ™‚

I will be working on some Archer and Armstrong for Valiant. And I’m sure they have bigger things planned for me and I’ll post those plans and art when it’s primed to go. Stick around, guys. !!

Now pardon me while I lay down a bit…;)

Cross

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ChrisCross is dreaming VALIANT!

YES!!!

ChrisCross will be at NYCOMICCON! I’m talking about me in third person again.

I will be there signing with the guys at Valiant Entertainment for my stint on BLOODSHOT 0 and most likely some future work that I’m partaking as I type this. There is much to talk about and a lot to catch up on and i will endeavor to keep up the pace in creating these posts.

If you’d like to catch me at the Con, the booth number for Valiant is Booth #2028 inside the Javitz Center in Midtown Manhattan – and they’re bringing along a boatload of exclusive giveaways, all-new convention-only items, and superstar talent to celebrate their biggest NYCC ever!!

Okay… So thats not my voice and i ripped that. But i could have said it….:)

My schedule for the Con are as follows:

Thursday October 10 7 pm

Friday October 11 12pm

Saturday October 12 1pm signing 4pm panel

Sunday October 13 11am signing

I hope to see you guys there because i will be making the rounds letting people know about my company website going live on SATURDAY. the company is named ETERNAL KICK and it will be out there for people to see FINALLY!

And guaranteed Archer will be poking me trying to annoy me.

Tah tah for for now, guys!!!

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MILESTONE MEDIA’s 20TH YEAR MAKING MILESTONES

Some time ago, people started talking about Milestone Media on a consistent basis. Usually when it has to do with someone trying to do a concept that was either video game related or something to do with a comic with the way that certain comic company handled their characters of cultural descent the arrow will point to the bullseye in the middle of the target….Milestone. When people learned that DC was actually thinking about killing off Green Lantern John Stewart, an outrage began followed by an” I wish Milestone was publishing books again, because the Milestone gang would care about Stewart if they had him” type of sentiment. And then I realized. Even though Milestone had stopped publishing and finally absorbed, if it weren’t for Milestone, no one would have a standard in which to care. Or some safe place to put that thought of that kind of concept. Milestone owning the rights of John Stewart?

Imagine that.

Well, Milestone Media who was comprised of DWAYNE MCDUFFIE, CHRISTOPHER PRIEST, DENYS COWAN, MICHAEL DAVIS, and DEREK DINGLE was making history creating a haven and a niche that should have always been a part of the history of comics were out performing all who would try to ride the coat-tails of those trying to do the same thing but were amateurs with misguided concepts, to say the least, they were also giving people like myself a venue to sharpen our craft and hold up to the well-established publications that were already on the highway. The great thing is that what we were doing was so needed that people were scrambling to jump in on the action knowing somehow that, in its own way, was the Ponce de Leon of comics publication. And there were those who did whatever it took to keep it from being bigger.
Regardless, we did our job. We told the stories, we created the characters, we made the noise…we carved our names in the rock. And now, people are studying from that rock to get what exactly we did to create that indelible mark.
And now those fans of comics that actually were around to see what a Milestone Media had to offer… The LUCKY ones… Are in a fit knowing that there are those who attempt the same magic with the same characters and seem to come short. Mostly because they keep trying to do those characters the way comics are done, but not the way Milestone set the tone.
We get to talk about all of that this weekend at ECBACC. We and the people in the flyers below are going to talk about their experiences working wi a group of people that had the greats in comics and in Hollywood coming down to see what the hubbub was all about. And walking away with smiles on their faces with Milestone comics in their hands.

In Philadelphia, we’re going to be reminding everyone why Milestone is and was so special 20 years later and why, more than anything else, we need to keep that miracle and its practices going in our own way with our new ventures.

I think the brothers we lost in the journey will be smiling themselves.

Dwayne McDuffie, Robert Washington III, Maddie Blaustein….

This is for you. πŸ™‚

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The sport of being Valiant

When Valiant announced that they were back in a position to be publishing books again, I think It took some people aback, those who were old enough to remember the first cache of the Valiant model… which was back in the 90’s.

Taken aback, but not in a bad way.

Back then, I was just getting out of School of Visual arts and I was working near full-time hours at a law firm in upper Manhattan. I decided that I was done with the 9-5 nonsense of the constant political pressures of the land of Esquire and I was going my own way. I had an appointment with the first echelon of Valiant that housed Bob Layton, Jim Shooter, and a ton of then-beginners who are now either high rollers (meaning doing work with animation or movies for “Hollywood”), Marvel/DC veterans, or doing their own thing. Then I discovered Milestone Media. In some weird turn in time, I could have easily been working with the Shooter gang instead of Club McDuffie.

Hey, it’s nice to have had options!

One of my great regrets though was never getting a chance to jump on any of those books. I kind of see the new Valiant as the Golden State Warriors. The new guys with a lot to prove going up against two big franchises like the Lakers and the Celtics and some really notable teams that make a ton of noise jostling for the third spot. I’ve had many discussions about Valiant’s new splash on the scene and myself and others really think they’re going to be surprising a lot of people soon enough when they’re the set party for that third spot. They just seem to have their stuff together, and they appear to know what they want and what it’s going to take to get there. And they have a possibility to bring in new readers. There’s a newness with all the characters and I think that’s what is needed to rejuvenate the comics market. Hopefully it will inspire others to put their two cents in to start a new renaissance.

The cool thing is I now have an opportunity to put my two cents in with Bloodshot #0.

I want to take my time with this one and really make it stand out from any other work that I’ve done before. It’s going to be the road to some great work that I’m planning that’s going to set new roads for me. And sometimes I just get tired of my own work, so I have to add new influences to freshen me and my muse up again. And I’ve been hustling to get better for awhile now. So I hope you like what I offer in my splash on Bloodshot. I’ll post that cover as soon as I get the go.

You can check out the link on my mention here and get warmed up for an origin of Bloodshot you may not have read before.

I team up with Matt Kindt whose bringing his own style of storytelling to the mix.

Hope you like what we put together soon!

Cross.

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Helping out the Superboy

In the newest issue of Superboy,(#20), I got to help out the editor by doing the last five pages. It was again as crazy a schedule as one could have and I had to throw in 1/4 ChrisCross, and 3/4 rush job. But I never got to draw Superboy in any version in my life…. So you know when asked, I had to jump on it. And also you can see I aided and abetted Superboy’s BEATDOWN.

Hey, He wins in the end.

Don’t worry. πŸ™‚

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